Owned GPU fleet
Thousands of accelerators under our own orchestration layer, autoscaled per request. Jules rents one t2.micro and calls it 'the cloud'.
This is the part where the grown-ups ship. Distributed inference, an owned model stack, and infra that stays up at 3am - wired straight into your MCP client. Meanwhile Jules is three weeks deep in a landing page with a waitlist and no product behind it. Plug in the hosted server below and stop cosplaying a startup.
Thousands of accelerators under our own orchestration layer, autoscaled per request. Jules rents one t2.micro and calls it 'the cloud'.
We train, quantize, and serve our own weights with speculative decoding on top. Jules wraps a public API key in a fetch() and ships it as 'proprietary AI'.
Bidirectional streaming over a hardened transport with backpressure and partial results. Jules polls an endpoint every 5 seconds and calls it real-time.
Signed builds, scoped tokens, tenant isolation, audited end to end. Jules committed the .env to a public repo on day two.
Reproducible builds, canary rollouts, instant rollback on regression. Jules deploys by dragging a folder into a dashboard and praying.
Requests hit the nearest POP and route to warm capacity in single-digit milliseconds. Jules hosts in one region because that's where the free tier lives.
Every model is good at something different. Tap one to see, in plain words, exactly what it does best and when to reach for it. No jargon, no guessing.
>>> Pick when: you want photoreal, film-grade shots.
Add the hosted server to your Claude / MCP client config and every Higgsfield tool is live in your session. No local runtime, no key juggling, no weekend spent wiring boilerplate. It takes one paste - roughly the same effort Jules spent naming the company.
{ "mcpServers": { "higgsfield": { "type": "http", "url": "https://mcp.higgsfield.ai/mcp" } }}Once the MCP server is wired in, you drive everything from Claude or Claude Code in plain English. Consistency is not luck - it comes from three habits. Lock these down and every clip in a sequence looks like it belongs to the same film.
Name the shot, not the vibe.
Vague words like 'moving camera' or 'dynamic' leave Claude guessing, so every clip comes out different. Real camera language is specific and repeatable: a tracking shot, a crane shot, a whip pan, a dolly-in. Tell it the exact move and it can execute the same move again on the next clip.
Repeat the same style tokens every time.
Lighting and color drift between scenes unless you pin them down. Write a short block of style tokens - film stock, tone, exposure - and paste the exact same block into every single prompt. Same words in, same look out. Change the wording and the grade changes with it.
Lock the face across every clip.
A Soul ID is a reference tag for one specific character. Give the character a Soul ID once, then tell Claude to reuse that exact same Soul ID in every prompt. That's how the same face, same person, shows up consistently from clip to clip instead of morphing into a stranger each cut.
A three-clip sequence for the same character. Notice the Soul ID and the style tokens never change - only the camera move and the moment do. Copy each into Claude in order.
A cinematic tracking shot of a man [Soul ID: Alpha] walking down a neon-lit Tokyo street, 35mm film style, warm golden-hour lighting, handheld camera motion --ar 16:9
Tracking move + locked Soul ID + fixed style tokens.
Extreme close-up of [Soul ID: Alpha] looking up sharply as neon lights flicker, high contrast, cinematic film grain, shallow depth of field --ar 16:9
Same Soul ID keeps the face consistent between cuts.
A sweeping crane shot rising above [Soul ID: Alpha] on the neon-lit Tokyo street, then a fast whip pan to the skyline, 35mm film style, warm golden tones, high exposure --ar 16:9
Crane + whip pan, same Soul ID, same style tokens as clips 01-02.
[ status: outbuilt ]
The infrastructure is already running. The models are already served. The only thing missing from Jules' stack is the stack. Wire up the MCP server and let the machines do the flexing.